Olympus Tough TG5 and PT 058 under water casing
The definitive high-image-quality Tough camera. Relive your adventures with the TG-5.
Whether it be in the mountains, on the beach, or in the snow, the Tough series can withstand the most punishing environments. The TG-5 is the pinnacle of the Tough series, and its new image sensor and new TruePic VIII image processor deliver significant improvements to image quality. It is equipped with a Field Sensor System which records various field data so you can recreate the shooting experience on your smartphone. Take this camera with you to make outdoor activities, such as mountain climbing and diving, even more fun.
Further advanced image quality and Tough performance
The TG-5 is equipped with the latest image sensor and image processor, and a bright f/2.0 high-resolution lens for high image quality. Its Tough performance and anti-fog dual-pane protective glass make for worry-free use in the harshest environments.
High-resolution f/2.0 lens
The TG-5 features both Tough performance and high image quality, along with a high-resolution, 4x optical zoom lens. The bright f/2.0 lens makes it possible to use a fast shutter speed to reduce subject blur even when capturing moving subjects in dark locations.
- Conventional camera
f/ value: 3.9, shutter speed: 1/30 sec. (The dark lens prevents use of a faster shutter speed)
- Camera with a bright f/2.0 lens
f/ value: 2.0, shutter speed: 1/125 sec. (The bright lens allows use of a faster shutter speed)
Folded optics zoom lens
This model achieves the brightest aperture value, f/2.0, for a folded optics type lens. Lenses developed with advanced optical technology are lavishly used, including a DSA (Dual Super Aspherical) lens for high image quality.
- 4.5-18.0mm (35mm equivalent: 25 - 100mm), f/2.0 - f/4.9, 4x zoom
- DSA lens: Dual Super Aspherical lens
- HR/HD lens: High Refractive Index & Dispersion lens
- Aspherical lenses
Bright 4x zoom lens
The TG-5 is equipped with a 4x optical zoom lens. The lens provides a broad range of photography, from a wide-angle bird's-eye view of scenic landscapes to zoomed-in telephoto close-ups of distant subjects.
- Wide angle (35mm equivalent: 25mm)
- Telephoto (35mm equivalent: 100mm)
New image sensor and image processor
To maximise the capabilities of the high-resolution f/2.0 lens, a new high-speed back-illuminated CMOS image sensor and the TruePic VIII image processor used on the OM-D E-M1 Mark II are included on this model. Noise level has been reduced by 1 step for shooting in the standard ISO sensitivity range and also for shooting in darker areas. These improvements result in even higher image quality.
- Conventional camera
Image processing that delivers high resolution
The image processing algorithms have been retooled to deliver even higher resolution on the TG-5. They have been modified to provide high resolution for sections with a low difference in contrast particularly when using a low ISO sensitivity setting.
Improved high-sensitivity performance
Maximum ISO sensitivity is now ISO 12800.
The TG-5 allows shooting in RAW format. RAW images can be edited and processed on a computer using the digital workflow software Olympus Viewer 3. Adjust the contrast and sharpness after shooting to achieve the exact results you have in mind.
In addition to being dustproof, waterproof up to 15m deep, shockproof up to a 2.1M drop, crushproof up to 100 kgf, and freezeproof down to -10℃, the TG-5 has anti-fog dual pane protective glass. Such Tough performance provides peace of mind when shooting in punishing environments such as the mountains, ocean, and snow.
Constructed to perform anywhere
This model features hermetic sealing, a floating lens construction, double-lock covers, and dual pane protective glass. It is such construction that makes the TG-5 waterproof, dustproof, shockproof, and anti-fog.
- Hermetic sealing
- Dual pane protective glass
15 m waterproof
The camera is waterproof up to 15m below the water. Not only does this make it possible to shoot in heavy rain, but it also lets you shoot while snorkeling.
- Waterproof performance is JIS/IEC protection class 8 (IPX8) equivalent.
This design features an airtight construction that shuts out sand and dust. Because you can rinse off the camera body with tap water, even if it gets dirty you can simply wash it off.
- Dust proof performance is JIS/IEC protection class 6 (IPX6) equivalent.
2.1 m shockproof
Even with a large, bright f/2.0 lens, this model can still clear drop tests of up to 2.1m. Olympus know-how has been utilised in every facet, including the lens shape, lens positioning, and the lens drive method, resulting in a high level of shock-absorbing performance.
- The TG-5 is built with a shockproof construction resistant to 2.1 m (MIL-STD810F standard compliant).
100 kgf crushproof
To protect all inner parts including the lens unit and circuit boards, an interior protective structure which can withstand a weight of 100kgf has been employed. With such crushproof construction, you won't have to worry about accidentally sitting on your camera when carrying it in your back pocket.
Operation at low temperatures is guaranteed down to -10℃. With this feature, you can feel confident taking it along on ski and snowboard trips and other winter sport outings.
The TG-5 introduces a new Tough feature, anti-fog. The dual-pane protective glass provides an airtight seal that protects the lens and minimises condensation on the lens that tends to occur during sudden changes in temperature.
- 1. All tests were performed under Olympus in-house test conditions, however Olympus does not guarantee against damage or malfunction in all situations.
- Pictures are for illustrative purposes only.
|Memory||SD, SDHC, SDXC, Eye-Fi Card compatible|
|Product type||1/2.33 inch|
|Number of pixels||Number of effective pixels: 12 million pixels|
Total number of pixels: Approx. 12.7 million pixels
|Aspect ratio||Aspect ratio: 1.33 (4:3)|
|Structure||9 lens elements in 7 groups|
|Focal length (equiv. 35mm)||4.5mm -18.0mm (25mm - 100mm)|
|Maximum aperture||f/2.0 (wide-end) to f/4.9 (tele-end)|
|Shooting range (from lens tip)||Throughout entire zoom range: 0.01m - infinite (Super Macro: 0.01m - 0.30m)|
Still Photo Recording
|Recording format||DCF2.0, Exif2.3|
|File format||RAW (12-bit lossless compression), JPEG, RAW + JPEG|
|Recording image size||[RAW] 4000 x 3000|
[JPEG] 4000 x 3000 - 640 x 480
Image Stabilisation System
|Type||Still image: CMOS shift|
|Mode||ON / OFF|
|Stabilisation performance||2.5 EV[*] (Focal length set to 18 mm. 35 mm Equivalent Focal Length: 100 mm)|
|Live View||Approx. 100% field of view, Exposure compensation preview, WB adjustment preview, Gradation preview, Face detection preview (up to 8 faces), Grid line, Display modes: Standard, Histogram, Highlight & Shadow, Level Gauge, Off|
|Monitor type||3.0-inch colour LCD[*]|
|Brightness control||±7 levels|
|AF system||CMOS Contrast Detection (with AF Illuminator)|
|Focusing point / Focusing point selection mode||25 point / All target, single target|
|Focus mode||Single AF (S-AF) / AF tracking / Manual Focus (MF)|
|Face detection AF||With|
|Manual focus assist||Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode|
Exposure Control (Still)
|Metering system (TTL Image sensor metering)||Digital ESP metering / spot metering|
|Metering range||EV 2-20 (f/2.0 / ISO 100)|
|Exposure mode / Shooting mode||Intelligent Auto (iAUTO), Programme Auto (P), Aperture Priority (A), Custom1, Custom2, Underwater, Microscope, Scene Mode (SCN)|
|Scene select AE||Portrait, e-Portrait, Landscape, Portrait +Landscape, Hand-held Starlight[*], Nightscape, Portrait + Nightscape, Children , Sport , Candlelight, Sunset, Fireworks, Beach & Snow, Panorama, Live Composite, Backlight HDR|
|ISO sensitivity||AUTO ISO: 100 - 1600 with customisable upper limit from 100 to 12800|
Manual ISO: 100 - 12800 (1/3 EV step)
|Exposure compensation||±2 EV (1/3 EV step)|
|AE lock||Locks with a half-press of the shutter button|
|Shutter Type/Shutter Speed||1/2 to 1/2000 sec. (Night Scene, A mode: up to 4 sec.)|
|Sequential shooting maximum speed||[Sequential shooting H][*]: approx. 20 fps with selectable 10 / 20fps|
[Sequential shooting L]: approx. 5 fps
[Pro Capture][*]: approx. 10 fps
|Maximum recordable frames prior to second release (for Pro Capture)||Approx. 5 frames|
|Sequential shooting maximum recordable frames[*]||[Sequential shooting H] RAW: Max. 14 frames, JPEG (LN): Until card is full|
[Sequential shooting L] RAW: Max. 49 frames, JPEG (LN): Until card is full
|Self-timer||Operation time: 12 sec., 2 sec., custom (Wait time: 1-30 sec., Number of shots: 1-10, Shot interval: 0.5 / 1 / 2 / 3 sec.)|
|Flash intensity control method||TTL Auto, Manual|
|Flash mode||Auto, Red Eye Reduction, Slow sync.(1st curtain), Red-eye Slow sync.(1st curtain), Fill-in, Manual(1/1(FULL)-1/64), Flash Off|
|Synchronisation speed||Compatible with all shutter speeds|
|Flash intensity control||Up to ±2 EV in 1/3 EV steps|
Wireless Flash Control
|Compatible external flash||FL-50R, FL-36R, FL-300R, FL-600R, FL-900R|
|Control method||Triggered and controlled by Olympus Wireless RC Flash system|
Commander Flash: Built-in flash
|External Flash intensity type||TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL|
|Group No.||1 group|
|White balance mode||Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB (Kelvin setting)|
|White balance compensation||±7 steps along A-B / G-M axis|
|Colour matrix||sRGB, Adobe RGB|
|Mode||i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Art Filters|
|Gradation||Auto, Normal, High Key, Low Key [except when using i-Enhance, Underwater, Art Filters, Colour Creator]|
|Art Filter (Variation / Art Effect)||Pop Art (I, II / a, b, c. d, e, f)|
Soft Focus ( - / c, e)
Pale & Light Colour (I, II / a, b, c, d, f)
Light Tone ( - / d, f)
Grainy Film (I, II / b, c, d, g, h)
Pin Hole (I, II, III / d)
Diorama ( I,II / d)
Cross Process (I, II / b, c, d, f)
Gentle Sepia ( - / a, b, c, d, f)
Dramatic Tone (I / b, c, d, e, f) (II / b, c, d, e, f, g, h)
Key Line (I, II / a, b, c, d, e)
Watercolour (I, II / a, b, c, d)
Vintage (I, II, III / a, b, c, d, e, f, i)
Partial Colour (I, II, III / a, b, c, d, e, f)
|Detail of Art Effect||a. Soft Focus Effect|
b. Pin-Hole Effect
c. White Edge Effect
d. Frame Effect
e. Star Light Effect
f. Blur Effect (Top & bottom, Left & Right)
g. B&W Effect (None, Yellow, Orange, Red, Green)
h. Pict. Tone (None, Sepia, Blue, Purple, Green)
i. Shade Effect (Top & bottom, Left & Right)
|Colour Ring (for partial colour)||18 colour selectable|
|Focus bracketing||Number of images 10 / 20 / 30|
Focus step: Wide / Standard / Narrow
|Update interval time / composite method||0.5sec - 4.0 sec / Lighten Mode (Bright area prioritisation)|
|Interval Mode||Interval Time 1sec. - 24 Hours, Max 299 frames.|
Available to make Time Lapse movies automatically
|Aspect Ratio||4:3, 3:2, 16:9, 1:1, 3:4|
One Push Tele-converter
|Magnification||x2 / x4 [*]|
|Mode / frame rate / compression method||[MOV]|
3840x2160(4k) / 30p, 25p (Bit rate: Approx. 102Mbps)
1920x1080(FHD) / 30p, 25p / IPB (SF, F, N)
1920x1080(FHD) / 60p, 50p / IPB (SF, F, N)
1280x720(HD) / 30p,25p / IPB(SF, F, N)
60p: 59.94fps, 50p: 50.00fps, 30p: 29.97fps, 25p: 25.00fps
FHD IPB (Superfine / 52Mbps, Fine / 30Mbps, Normal / 18Mbps)
HD IPB (Superfine / 52Mbps, Fine / 30Mbps, Normal / 18Mbps)
|Maximum recording time||[MOV]|
|Art Filter Movie||With|
(Frame rates may drop when certain Art Filters are used)
|Time Lapse Movie||[MOV]|
3840×2160 (4K) / 5fps
1920×1080 (FHD) / 5fps, 10fps, 15fps
1280×720 (HD) / 5fps, 10fps, 15fps, 30fps
|High Speed Movie||1920x1080 (FHD) / 120fps|
1280x720 (HD) / 240fps
640x360 (SD) / 480fps
|Image Stabilisation for Video||Digital stabilisation (angle of view becomes slightly smaller)|
|Grid Line||2 types of grid lines|
|Live View Output via HDMI||Monitor Mode (outputs video and info display to a connected monitor)[*]|
|Exposure Control||Programme AE|
|Recording format||Wave format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)|
|Microphone / Speaker||Built-in stereo microphone / built-in mono speaker|
|Microphone function||Wind noise reduction, recording volume, microphone volume limiter Audio dubbing possible for still pictures (up to 30 sec.)|
|GPS info. Function||Via smartphone GPS data|
|Wireless Control[*]||Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/countdown guidance, consecutive shooting, short video recording), power off, wireless release, video recording (video quality is restricted)|
iAuto / P / A / and Live Composite can be selected.[*]
Aperture, exposure, ISO sensitivity, white balance can be adjusted.[*]
|Image Share||File Type: JPEG, MOV|
Connect to up to 4 devices simultaneously. Marking function for image share.
|Easy Connection||QR code setting|
|Playback mode||Single-frame, information display, index display (4 / 9 / 25 / 100 frames), calendar, enlargement (2x - 14x), movie (with sound, FF / REW / Pause), slideshow (with sound including BGM, picture rotation (auto)|
|Information display||Histogram (independent luminance / RGB available), Highlight / Shadow point warning, AF frame, Photographic information, OFF|
|Movie Editing function||Trimming (beginning / end) / in-movie image extraction (4K only)|
|Editing function||RAW data edit, Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Aspect, e-Portrait, Image Overlay, Post recording|
|RAW data edit||RAW data edit based on settings of the camera (including e-Portrait, Colour Creator, Art Filter, ART-BKT). Preview capability.|
|Print function||Print reservation (DPOF), Direct print (PictBridge compatible)|
|Languages||34 languages selectable:|
English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai
|Waterproof||15m Equivalent to JIS/IEC protection class 8 (IPX8)|
|Dustproof||Equivalent to JIS/IEC protection class 6 (IP6X)|
|Freezeproof||Down to -10℃|
|Crushproof||Up to 100 kgf|
|Shockproof||Up to 2.1 m|
Field Sensor System
|Sensor||GPS (GLONASS,QZSS), compass, manometer, temperature sensor, Acceleration sensor|
|Mode dial my set||Modes C1 and C2 can be accessed by mode dial|
Input / Output
|Remote controller connector||USB microB|
|HDMI connector||Micro HDMI (type D)|
|Wireless LAN||Built-in (IEEE 802.11 b / g / n)|
|PC interface||USB2.0 Hi-Speed|
|DC connector||USB micro B|
|Battery||LI-92B Li-ion battery|
|Number of recordable images||Approx. 340 shots (using Toshiba SDHC UHS-I Card Exceria with IS ON, based on CIPA test standards)|
|Battery life for movie recording||Approx. 50 minutes[*] (under standard JEITA testing)|
Approx. 110 minutes (when zoom and other operational functions are not used)
Dimensions / Weight
|Dimensions||W: 113 mm H: 66 mm D: 31.9mm|
(based on CIPA standards: excludes protrusions)
|Weight||Approx. 250 g (with a battery and memory card, based on CIPA standards)|
|Temperature||-10 - +40℃ (when in operation) / -20 - +60℃ (when stored)|
|Humidity||30 - 90% (when in operation) / 10 - 90% (when stored)|
|Box contents||Body, USB cable, Hand Strap, instruction manual, warranty card, LI-92B Li-ion battery, F-5AC USB-AC adapter|
Waterproof up to a waterpressure equivalent to 45mdepth•
Simple handling above and under water•
Full control of all camerafunctions• Internal flash can be usedunderwater to trigger digitalcompatible slave• Standard tripod socketpermits attachment of lightingtray•
Screw mount for converterlenses and filters provided
• Detachable LCD hood forLCD monitor•
Black front to preventunnecessary reflection andtransparent back to detectwater penetrationDiscover underwater worlds with your TG‑5The compact PT‑058 underwater case is waterproof down to 45 metres and the perfect tool to discover the world found belowthe water`s surface with your TG‑5.
With its durable, high‑quality polycarbonate construction, it protects the camera from waterwhile also cushioning it from knocks and bumps on land.
The super bright 25‑100mm* lens of the TG‑5 has a 1:2.0 maximumaperture at wide zoom settings for colorful, low‑noise shots underwater.
There are special modes for divers available: UnderwaterWide, Underwater Macro, Underwater HDR or Underwater Snapshot. And for all fans of macro shots the TG‑5 has an advanced,four‑mode variable Macro system, with Microscope, Microscope Control, Focus Bracketing and Focus Stacking Mode.
The PT‑058is easy to handle and offers access to all camera functions. There is an optical connection available to control external underwaterflashes such as the UFL‑3 with the camera.
The screw mount enables the attachment of underwater converters.
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